Love Is the Key

Tag: romance novel

My Current (Work In Progress) Regency Romance Novel

Dear Lord Wycliff–an epistolary romance novel

Most regency romances are set during the London season, which everyone assumes is in the spring.

It is true that by the 1820s that became the norm—A King’s or Queen’s speech in late January or early February convened the parliamentary session. This in turn brought all the noble families to London, and they usually stayed until early August.

But in the 1790s, when the Rebel Hearts Series is set, the King’s speech took place in very late in the fall, (in December in 1792), and the session drew to a close in late May or early June, (occasionally July).

In Dear Lord Wycliff, Book Two of the Rebel Hearts Series, Lady Corinna Capener comes at the beginning of November to prepare for the London season, a few weeks before the King’s speech in December.

I assure you, the timing is correct.

In Book One of Rebel Hearts, An Honorable Man, I barely allude to the reign of terror and the French Revolution. It figures more centrally in Book Two since our main male character, Lord Wycliff, is serving in the diplomatic service in Paris, at least until diplomatic relations are cut off and he must leave.

I am challenged more than I anticipated (but in the best possible way) in writing this epistolary novel. But I love this story of Corinna and Daniel. And of Georgiana and Olivier.

This is only an inspiration image I made in AI, not the final cover

Here is a little sneak peek. The first letter. (One thing you must know to begin this story is that is was very improper for a lady to write to a single, unrelated gentleman during regency times):

November 1, 1792 32 Portman Square London

Dear Georgie,

The days of adventure are over. Romance is dead. We were not waylaid by a highwayman on our way to London.

Instead, my brother arranged everything so that we traveled by easy stages and stopped each night at inns along the way. I wish I could have traveled to town as Rupert did, on the back of a horse. Instead, Jaminna and I rode in the carriage and took turns trying to entertain little Henry. Six-year-old boys should never be closed up in a carriage for four days on end. Neither should twenty-year-old ladies.

You know I cannot read while travelling in a carriage without becoming quite ill, so for four days I watched out the window and tried to think of games and stories engaging enough to while away the time. Lacking imagination, I borrowed some of yours.

But Georgie, there is one particularly lonely, atmospheric stretch of road between Highgate and Islington that sparked my imagination.

Picture this. Millions of stars shimmer above us. A low mist eddies over the road. I, the stupendously beautiful and spoiled Lady Corinna Anne Capener, wealthy beyond words, (it is my story after all), am making my way to take London by storm.

But what is this? Just as the full moon rises over the trees on the eastern horizon, a daring thief rides out of the woods, shoots into the air, and bellows, “stand and deliver.”

The carriage pulls to a shuddering stop. The horses buck and blow, mist rising from their backs. The carriage door opens, and a tall, dark man looms over us. His face is lean and chiseled—No wait, the lower portion of his face is hidden by a mask, and his eyes gleam from beneath the shadow of his hat.

I lift my chin and climb down into the terrifying night, bravely shielding my fellow travelers. Just like in the accounts of Claude Duval, that famous 17th century knight of the road, my gentleman highwayman bows over my hand and agrees to accept less plunder if I dance with him on the moonlit roadside.

I felt quite proud of this gripping beginning to my story. Both Henry and Minna were enthralled. Then Rupert rode up beside us to ask after our comfort. He reminded me of more prosaic probabilities, and I laughed. Even if we were stopped by a thief who was dressed in the latest fashion and acted in the most gentlemanly manner, you know my brother would not like to be relieved of fifty guineas and tied to a tree.

And with my luck our highwayman wouldn’t be a nobleman in disguise, forced by his evil, usurping uncle to make his living on the high toby, but only a garden variety crook, determined to take my pearl ring and necklace and the few pence I had in my reticule.

Worse, it is much more likely I would stare mutely, like a dullard, rather than banter and jest with my creation. I hate to disappoint you, but I am not made for adventure, except as it happens in books.

Despite the uncomfortable monotony (and lack of romantic highwaymen), we arrived in London yesterday and settled into Capener Court. Minna says she is eager to take me shopping to update my wardrobe for the coming season. Can you believe it? She is the most generous soul and exceedingly kind to me when any other lady would resent having to chaperon her husband’s younger sister for a second year.

Really, I don’t know how Rupert convinced her to marry him. Not that he isn’t a good brother, but you know how stuffy and conventional he can be. And we won’t even mention how miserly, not that Minna regards that for one moment. She seems to find it an amusing challenge.

I thank you for the note you slipped into my reticule. It was a delightful interlude on the long journey, although I am not concerned that you will languish as you predict. Before the month is out you will find something to entertain you, even in Folkestone. Exciting things always happen around you. To illustrate, I remind you of the infamous ‘mystery of the purloined handkerchief,’ and the questions surrounding ‘who put the toad in the Vicar’s soup bowl?’

I so wish you could have come with me to town this season as we planned. It is inconvenient in the extreme that your uncle chose this precise time to ride into a fence at Chester Racecourse and die. Even three months of mourning seems too long for a man you never knew.

I just read the last and realize how heartless I sound, but I am feeling selfish. If you were here, the season would be bearable. Instead, I am doomed to endure another string of parties and balls where I must pretend interest in men who have no interest in me beyond my portion, and whose conversation is limited to the weather, their horses and carriages, and the hunt. They would never discuss any interesting topics, with a ‘delicate lady.’

On that topic, I ask you, why is a woman who is as tall as many of the men she stands up with considered delicate?

That question is impossible to answer, so I will admit to the more selfish reason I wish you were here. Dearest Georgie, I don’t know how I am to continue my correspondence with Lord Wycliff if you are not here to smuggle my letters out to the post.

I have thought to beg one of the servants to help me, but they are loyal to Rupert and Minna. No sooner than I reveal my need to one of the maids, I fear she will expose me. I don’t like to think of what my brother will do if he ever discovers that I’ve been exchanging letters with an unrelated, unmarried gentleman, even if it is under the guise of his name.

I must stop, I know. I only await Lord Wycliff’s response to the abstract of my article on Maria Theresa, and then I will stop writing to him. I have already tempted fate far longer than is safe.

Pray for me. Or, upon second thought, don’t pray for me. The last time you prayed to be released from attending Lady Marianne’s birthday celebration, we had pouring rain for weeks.

My dearest friend, Minna is at my door. We are to go to Bond Street this morning to replace my torn pelisse. I hope my letter finds you well, and that you’ll write soon and report all the news. I know you well enough to believe you will have at least one exciting tale.

Ever your affectionate friend,

Corinna

***Of course, when Corinna says she is not made for adventure, you just know that she will not be able to avoid it!

Would you like to read the next letter, this one from Georgie? Sometimes I feel she is going to ‘steal the show’ she is so engaging.

Regency Romance Letters

How I came to be writing an epistolary novel

One of my college professors once said she wanted to write romances because she thought it would be easy. She described her imagined process like this: write a list of common scenes on 3 x 5 cards, shuffle them, and write the scenes in that order.

Photo by Kelly Sikkema on Unsplash

I don’t believe she was a lover of the romance genre. If I were taking her class now, I would argue her assumption of ease and her supposed “systematic” approach. My experience has been so very different and much more difficult than she imagined. (And I think more rewarding than what she described).

Some romance authors probably do write according to a formula. They have a structure, perhaps even a template that works for them. They may plan according to trope before they create character. (Example: I’ll write an enemies to lovers romance. So, who are my main characters? Why do they hate each other? What has to happen to bring them together? Answer those questions and create a story). They may even have a few situations that regularly happen in their books.

There are moments when such a system sounds a little tempting. It might make this writing process easier, but I cannot do it for a few important reasons. (Please understand. These reasons are only important to me, to my process, to my satisfaction and joy in writing. This is not a comment on how other writers plan and write).

This is what I’ve learned (and continue to learn) about my writing.

First, characters come first for me. I can’t start with plot. I don’t know what is going to happen until I know my character, and sometimes not even then. I am often surprised as I write. My characters take on a life of their own and almost always change the plot. This is not comfortable or easy, but it keeps me on my toes. And I love the ride!

Second, I can’t write “to trope.” It’s only after I’m a good way through the story that I might recognize a familiar theme or device. I’m editing my novel Under a Honeyed Moon. It has a little bit of a Cinderella beginning and is fundamentally a forced marriage story. (You know, the couple that is found in a socially compromising situation and must marry). I didn’t start out with these tropes. They developed after Evie looked out her window and started talking to her friend about his plans to run away with another girl.

Temporary Cover created in AI and Bookbrush

Third, even the structure of my novels are guided by the characters. Liza demanded to tell her own story, so first person, single point of view. Amelia and Sidonie followed suit. (Helen and Maris did too). But we had to see both Susan and Magnus in alternating points of view, and in third person. Patience required third person and to be the only point of view. Joie has such a strong voice–first person, present tense, flash fiction (less than 1000 words).

I was sure Minna’s story would be told simply in her POV in third person, except then Rupert wanted a little bit of time at the beginning of each chapter.

Now, I’m writing Corinna’s romance. She’s half in love with Lord Wycliff before the story even begins. But their whole relationship is based on a deception and an innocently meant impropriety. What will she do? I’m still finding out, along with her best friend because suddenly, I’m writing an epistolary novel.

No formula. No 3 x 5 cards. Not easy, but I love it! I love discovering and sharing these people and their love stories with you.

New Book Release Day

It’s live! A new Regency Romance Novel just for you.

I played with a little bit of a reverse Pygmalion story here. Lady Cecily must “refine” Mr. Hatton. If you like My Fair Lady, you’ll love this novel.

Mr. Hatton may not be considered a gentleman, but he has an honorable heart. I think he’s my favorite Main Male Character so far. (But I admit, I do fall in love with each as I’m writing).

This is the first novel in the brand new Rebel Hearts series. Even though I finished writing this love story last spring, I waited to bring it to you until I had written a prequel for the new series and a prequel for the Illusions series as well.

Then I spent some time writing bonus stories for each of my novels so far. Lots and lots of romance because who can have too much romance?

Get this one for FREE

Now, I am about 2/3 of the way through writing Rebel Hearts, Book Two! So far, it’s titled Dear Lord Wycliff. It looks like I may be able to release that one in February or March.

Happy reading, and happy holidays.

Three New Romances In the Month of November

Writing Romance–Fast

I tried something new and challenging in my Romance Writing life in November (Challenging myself is becoming a theme).

Photo by Abdul Gani M on Unsplash

You probably have never heard of Nanowrimo, but for the last few years, I’ve been wanting to try it. Nanowrimo stands for National Novel Writing Month. This world-wide event is held every November–Yes, I’m sorry to say, it is in November.

When an author or aspiring author signs up for Nanowrimo, they accept the challenge to begin a new novel on November 1, and try to write 50,000 words by the end of the month. The idea is that by the end of the month, you will have finished a short novel. Think of it–a new romance novel in one month!

I want to tell you about my month long experience. First, let me say, I did not cheat. I planned start a brand new novel that has been percolating in the back of my mind for the last few months. The main character of this first in a new series is Angelica, or Angel as her family calls her, so I’ll use Angel as the working title for now.

Though I didn’t cheat, I also didn’t follow the rules exactly. I just could not begin Angel before I finished An Honorable Man. So, I spent the first 5-6 days finishing the last 11,000 words of this novel. I love it so much, I had a hard time moving on. I just wanted to go back and start editing so I can get it into your hands as soon as possible. But I held strong and kept writing.

So, even though I didn’t begin with the new work on November 1, I planned to write a whole new work in November. I would just start on the 6th. Then, the night before I started Angel, I had this idea for a romance novella. It came into my mind almost fully formed in terms of plotting and characters. I made a sudden departure from my plan and started writing a totally new romance novella.

This is Lady Evelyn’s story. It has some Cinderella elements and then turns into a forced marriage trope. The working title is Honeyed Moon. I worked through the bulk of the month telling the story of Evie and Cam (Lord Camden). I get chills when I think of this novella, which I do believe I will add to in editing. I think it needs to be a full length novel.

So, there I am on Thanksgiving day, surrounded by my family (all 37 of them). I’ve finished for former Work In Progress (An Honorable Man). I’ve finished the surprise Novella (Honeyed Moon). But I am still 5000 words shy of the 50,000 word mark.

So, after my family left, I went back to the original plan and began my new series with Angel and Ramsay’s story. I’m four chapters into that story.

Photo by Laura Kapfer on Unsplash

Three novels in various stages in one month. I’m astounded, and tired. Mostly, I am so excited to bring these romances to you. In a perfect world, you’ll have one in January, one in March, and one in May/June. Cross your fingers for me. I’m working furiously.

Critical Reader? I want to meet you!

It’s a commonly held belief that extensive reading improves writing. I’m not sure that’s always true. Mostly when I read, I suspend my disbelief and enter the world of the book. I ride along with the main character and just enjoy the experience. Reading is fun, and rewarding, and fabulous!

I’m not sure that kind of reading makes me a better writer, but I love it.

Photo by Blaz Photo on Unsplash

Now, when I buckle down and read critically (looking at structure, tone, character arc, plot development, etc.), reading probably improves my writing. I ask questions. How did this author build tension? What is the main character’s goal? How does the author establish that goal and build conflict? I watch to see if the beginning leads naturally to the next part, and to the next. Are there big leaps that leave me behind? Are the character’s actions consistent their personality?

Even though it’s fiction, is the world credible? Are the characters believable? Do they fit into the world?

(A little rant here. I struggle when I’m reading a historical romance and the heroine is–let’s be honest–a 21st century girl. Unless it’s a time travel novel. That regency, or Victorian lady may be forward thinking. She may be a maverick, but she still has to live with the mores and expectations of her time. Lizzie Bennett challenged and pushed against traditional feminine expectations, but she knew her world. She was an early 19th century woman).

Back now to critical reading. Are you a critical reader? Do you mentally “fix” the novels that you read? Do you have books you just cannot finish because of these kind of weaknesses.

If you are a critical reader, I really want to meet you. I want your input on my writing. I’m building a beta-reading team. If this is something that interests you , email me.

Romance Novel for .99 Cents: Book One of the Illusions Series

Now that the Illusions series is complete, I have lowered the price of book one, The Secrets We Keep to .99 cents.

Click on the Buy Here Button

For the cost of a candy bar, you can have hours of enjoyment. Or you could splurge and buy both the book and the candy bar.

This is the first romance book I ever wrote. I still love it. I love Liza’s impulsive desire to save her father and Robert. It still tickles me the trouble she gets in, but her determination is so admirable.

And Robert, just home from the war, he’s trying to rekindle a romance with his neighbor and long-time friend. Why won’t she respond in a predictable way?

I hope you enjoy this Regency, Napoleonic war era Romance. (Please leave a review so others can find this delightful clean read).

How About a Little Sneak Peak?

In The Lies We Tell, when Amelia sees the young girls at the brothel, this refined lady acts in a way that is so outside her nature it surprised me. I wanted to explore what would make her unable to walk away from these poor girls. This question was the impetus to write my current Work in Process. Right now I’m calling it An Honorable Man. It’s a fun reverse Pygmalion story. Cecily (Amelia’s mother–And Amelia makes an appearance as a five year old) is helping Mr. Hatton make himself over so that he can enter into society.

I can’t believe how much I’m enjoying this story. Would you like a sneak peak?

I have a new page on the site. It’s called Free Romance Reads. If you’d like access, go ahead and sign up for my newsletter. You’ll get a free story, “One Stormy Day,” and I’ll give you the password to the page where I will be loading the first chapter of An Honorable Man. As time goes by, I will be adding other sneak peaks, deleted scenes, short stories and such.

Discussion Questions: The Secrets We Keep

The Secrets We Keep Photography: Chez Nous Images www.cheznousimages.com

In every romance novel, the overarching theme is ‘Love Conquers All.’ Do you believe this statement? What are some ways you have seen this theme played out in real life? In interpersonal relationships? In parenting? Societal challenges? In questions of the soul?

In The Secrets We Keep, are there other underlying themes, unique to Liza’s story? What are they?

At the Beginning of the novel, Liza claims she has good reason for her secrets and lies. She claims the same thing at the end. Are her reasons different at the end than at the beginning. How?

Is she right either time? Does she have good reason? Are lies ever acceptable? What might constitute good reasons for lies? Are they ever acceptable?

What makes Liza begin to distrust Robert? What effects does her lack of trust have on their relationship?

Even though Liza believes Robert is doing despicable things, she loves him. Have you ever been in this situation? How does she show her love? How do you show  love for someone who is doing something you believe is wrong/harmful?

Liza is a very instinctive person. She doesn’t always look ahead and weigh the consequences of her actions. What are the strengths in an instinctive personality? What are the weaknesses?

When is Liza bravest? When she faces her enemy and danger? Or in some of her personal, private decision?

Liza spends some time “walking in other’s shoes,” or in this case wearing others clothes. Does that change her insights into those others’ lives? How? How do you “wear other’s clothes” in our day?

How does ‘Love Conquer All’ for Liza and Robert?

I or She? Who is telling the story?

First or third person? Which is your preference when you’re reading? Historically, I have preferred books written in third person (example: she watched the lapwing take flight). But in my first series, the Illusions series, every book is written in first person (example: I took a deep breath and lifted the pistol). It was a difficult style for me to write, so why did I do that to myself?

I must say here that there are books that are written in first person that I really like. I’ll give some examples, but note that these are not all regency romances. The Hunger Games series is in first person, as is Rebecca by Daphne DuMarier. Patricia Briggs’ Mercy Thompson series, beginning with Moon Called (I like the first ten books better than the latest ones) is told in Mercy’s voice. Probably my favorite of Joan Wolf’s regency novels, Fool’s Masquerade, is written in first person. And the very talented Thomas and Sharon Curtis, writing as Laura London, wrote A Heart Too Proud in first person. I really like all of these books. But mostly I read books that are written in third person.

I started The Secrets We Keep, book one of the Illusions series, when the first line, “Let me say in my defense, that I had good reason for every lie I told and every truth I withheld,” came out of nowhere. I just liked it and put it down on paper. I had no clear idea where I was going, but that line just sparked my imagination. What if a girl in Regency England found herself unintentionally, at least at first, caught in a web of deceit? What if in her attempts to find the truth, she worked herself deeper and deeper into those secrets and lies.

And I was off. Liza’s story in The Secrets We Keep changed and developed over time, often surprising me, but it remained in first person. Liza just wanted the reader to see her life through her eyes and hear in her voice.

One of the challenges of writing in first person is that you can only move action along through the viewpoint of the character who is the voice. If you want to show that one of the other characters is angry or hiding something, it has to come through what the main character sees. It took some time for me to get into the habit of seeing only through the eyes of Liza. It was a steep learning curve.

As we were readying Secrets for publication, I read somewhere that a good way to introduce new readers to your work is to write a “book magnet.” A magnet is a shorter work, usually a short story, that you practically give away. I took a little break from Book 2 and started writing a short story, although apparently Maris didn’t want her story to be that short. Smoke and Shadows became a novella. But it felt right to continue in the first person, to be inside Maris’ mind as she and her brother’s best friend try to catch an arsonist, and discover their own fire. Maris has a very different mind and voice than Liza’s, which is also a challenge–to find the individual speech and thought patterns of your character.

I will be putting The Lies We Tell, the second novel in the Illusions series up for pre-order in the next week or two after final editing. Amelia is more conventional than either Liza or Maris. She has always observed the proprieties. But as she tries to shield her father from the consequences of her brother’s depravity, she enters a world of lies and danger and finds herself doing things she never imagined. (FYI: you met her brother in the first novel). Again I wrote in first person, and again with a totally different personality and voice than the two earlier works.

Finally, sometime this fall, I’ll release The Masks We Wear, the third and final novel in the Illusions series. Sidonie not only is different in nature from the other three main characters, she is also French. In first person. I guess I must like a challenge.

The funny thing is, after writing this series in first person, I’m a little nervous to begin the next series that is percolating on the back burners of my mind. I do believe I will be writing them in third person. I think I will face a whole different set of challenges. You would think those decisions are all up to me, that the voice is my choice. After all, I’m creating these characters, right? Surprise. It’s not really me. I find that the character makes her own demands. And the writer must follow.

Why A Romance Novel?

I have finished my first Regency romance novel!!!

focused photo of a red rose
image by Jamie Street @Jamie452

This is a huge accomplishment for me. I haven’t sold it yet; I’m working on the query letter and research about agents and such. But the novel is complete. Alpha and Beta readers have had their say. The editor is at work.

I just want to go back two paragraphs now. Me write a Regency romance novel? Yes, yes I have. The truth is I was raised on a steady diet (provided by my mom) of romance novels. Back in the day (unnamed years ago), most romance novels were what we, today, call Clean or Sweet. Read that as the writers didn’t include sex scenes. And my mom, my sister, and I read them voraciously.

Now, some people in some circles might look down on the humble romance novel (even though it is one of the highest selling genres). I have a degree in English and I’ve spent quite a bit of time in those circles. I even love those circles and a good discussion about the literature favored in those circles. But I also love a good romance. I love the “Love Conquers All” theme. I love the search for connection, for belonging, for intimacy (since we’re talking “sweet” here, I’m talking emotional intimacy in this post). I love the struggle and bumps along the way. I just love romance.

One of my favorite things to ask people that I’m just getting to know is, “how did you meet?” Everyone’s process of meeting and falling in love seems a miracle to me. I love to hear about people’s romances.

Even though I have written a fantasy novel, which is in need of a complete rewrite, it is as much a romance as a fantasy. I have also written three children’s books–not romances, and after seven children, I like that too. But I have found a real comfort and familiarity while writing my romance novel. And the second one in the series, which is half-way written feels the same. Finding “my voice” just didn’t seem as difficult.

Exploring trust and vulnerability, trying to capture the growth of a protagonist as she opens her heart to love, following two people who struggle, and make mistakes, and compromise is exilerating.

So for the next little while I will probably be writing about my writing–my romance writing–and about the value of a good romance novel.

So tell me, how did you meet your love?

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