Tag: romance novel (Page 1 of 2)

Finally, New Romance Release

The best laid plans, and all that. I have experienced this in a real way for the last six months.

In June, (in three weeks), I wrote a romance novella, a prequel for a new series. It is a romance, I promise. But it is set in a historical fantasy world. (Think Greece in 200-300 BCE, but a fantasy version of that time and place).

I couldn’t believe how much fun it was to write, and how quickly it came together. I am excited to write the rest of this series. And to share it with you.

But first, I needed to publish the second book in my Rebel Hearts Series (IT”S AVAILABLE NOW!–Can you tell I’m ecstatic). Check out Dear Lord Wycliffe.

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So, I’m able to check one item off my list.

But there’s more on that list. I needed to finish book three in the Rebel Hearts Series. (It is 1/2 way written). I was a woman with a plan and all things were going my way.

But first, I always take a few weeks off in July to spend with family. Independence day is huge in our family.

Then instead of life according to my plan, a crazy version of life just came rushing at me. Covid, house sale, house purchase, moving, renovations, and the holiday season. My writing has been, shall we say, less productive, less regular, shorter in duration for six months.

But I am an author. And January is a new year. I am back at work and excited for everything that is to come.

And, I just happen to have another regency romance due for release in the next month. It’s much later than I anticipated, but it’s almost ready to go.

First draft of the cover of my upcoming Regency Romance

(And remember, I still have Book 3 of Rebel Hearts I’m working on and that delightful new project and the series it begins).

I have a plan. Cross your fingers.

Writing To Avoid Writing

I could do laundry, but why when there is romance tumbling around in my brain?

Photo by Annie Spratt on Unsplash

You know how it feels when have to do something important or necessary? Sometimes that thing is difficult or distasteful. Not always though. Sometimes you actually want to do that thing, but you feel nervous about it.

So, you put it off. Everything else suddenly clamors for your attention. Wash the dishes, yes! Change those sheets? It will feel so good when you climb into bed tonight.

Read that book? You deserve a little break.

And doing those other tasks seems easier. At first.

You are working hard. You are productive. But there is just that little twinge of anxiety. And the longer you avoid “the thing,” the worse the anxiety gets.

Yes. I hate to tell you, but this happens in writing, too. Sometimes, I get a little stuck in the middle of a book. Sometimes there is a scene that I know is going to be fabulous, but I’m nervous to start writing it. (Because I want so badly for it to be fabulous).

I’d love to tell you that I am disciplined, and I just push through.

And sometimes I do, but I have been known to get caught up in avoidance behaviors.

There. I said it.

But let me tell you a little secret. Sometimes when I’m avoiding the main work in progress, I will write something else. I wrote both Smoke and Shadows and Veiled In Mist when I hit a wall in my main works.

Each time, after I finished writing a fun, delightful novella, I was ready to return and finish the main project: The Lies We Tell and The Masks We Wear, respectively.

So, right now I am working on Brothers’ Knot, Book 3 in my Rebel Hearts series. I love the main character, Philippa. But she is really struggling to figure out what will bring her happiness. These two brothers are causing her some serious confusion.

And she keeps changing the course of the book, so I’ve spent a little time this last month avoiding her. And I enjoyed every minute of it.

I wrote the first draft of a historical fantasy romance. It is the prequel to a new series that I now see I must write. (Don’t worry, not yet).

I also wrote a bonus epilogue for Dear Lord Wycliffe, Book 2 of the Rebel Hearts series. This epistolary novel will be released this month. Watch for that!

But never fear. My avoidance anxiety is just about at its peak. I’m ready to return to my main work. Philippa is now ready to learn some things about life and about herself. And she will find her way to love too–very, very soon!

So, what do you do when you’re avoiding? And how long can you avoid before you force yourself to do the thing?

Romantic Tropes?

Not at First.

How do I write romance?

First, I always start with a character (or two). I don’t decide on a trope up front. In fact tropes are never part of my planning process.

While writing the Illusions historical romance series, I found myself wondering, what would have made Amelia’s mother marry Mr. Hatton? And Lady Cecily Ballantyne was born. She met Mr. Hatton while she was looking for a way to support her five-year-old daughter, Amelia.

I didn’t realize I had a Pygmalion or “My Fair Gentleman” thing going until I had written four chapters. Mr. Hatton was An Honorable Man.

But that Pygmalion theme became the basis of their bargain. He would provide work, and she would help him refine his manners so he could enter society. It became a match made in heaven!

Lady Cecily had an intriguing best friend, Lady Jaminna (Minna) Capener.

She was already married and the mother of a young son when we met her in An Honorable Man. But she was such a delight that I wanted to find out how she met and married her miserly husband.

If there is a little bit of ‘The Matchmaker‘ or “Hello, Dolly” in there, I only saw it after I’d already written chapter one. But once I saw it, I embraced it. They are perfect for each other.

 

Lady Corinna Capener made her first appearance in Minna and the Miser. She was a serious minded thirteen-year-old. The younger daughter of the miser in that story. And she was especially interested in influential women in history.

AI inspirations cover (cover reveal next week!)
 
So when I began writing her novel, Dear Lord Wycliffe, (an epistolary novel), it was her need for information that guided her actions, not any idea of a trope. If she had grown into a “bluestocking” while I wasn’t watching, what could I do but go with it?

 

And if Lord Wycliffe is a little older than she is, say thirteen years, that isn’t really enough years to be considered a May/December romance. He just needs to be convinced of that.

AI Inspiration Cover only

Now, I’m in the middle of writing Philippa’s Story, Brother’s Knot. (October/November release). During a dinner party in Dear Lord Wycliffe, we met Captain Archie Broadbent. I planned that he would be the main male character in Philippa’s book. Really! 

But then on the way to a house party, she met his brother, Lord Thornwood. I would never plan a love triangle trope. Not in a million years. 

But here I am with Philippa torn between two men. And involving herself in a little intrigue on the side. And I’m having the best time.

 

 

So what trope will I be writing for Delia? She’s next. I don’t know. That’s not where I start. Romance always begins with the characters.

Romance Writing Is Like a Romance

A metaphor

My romance begins with hope and excitement. Everything about this new book seems brushed with a golden glow. My characters are delightful. Their story is engaging. Every day is a lovely adventure. And the first part of the book flies by in that romantic, giddy haze.

Life is beautiful. I have found my place in this world. It’s perfect!

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And then, the challenges appear in my romance. My characters are rebellious and obstinate. They don’t agree with my vision for them and my ideas about what they should do. They have a mind of their own.

And suddenly, I come face to face with my own limitations and imperfections. Surely, if I could mark the path more clearly, find the right words, and string them together in the right order, I could return to those first halcyon days and weeks.

But it isn’t to be. I must learn how to work through my book’s idiosyncrasies and my own growth process. It is one of the most difficult and frustrating relationships,. But I keep working at it because it has so much potential. Even with the problems, I can see how beautiful it can be.

That middle part takes the longest, and it’s different with every book, but as I work with it, sometimes patiently, sometimes not, we come to an understanding. That first excitement and romantic haze grows into a rewarding trust in my characters, a contentment that I am doing my best, and a deep and abiding joy that it is a wonderful thing we have created together.

The final happily ever after is more satisfying when it is earned, both for my characters and for me, the writer.

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Life is beautiful. I have found my place in this world, and even with its scars and struggles, it is perfect.

The People Who Live In My Mind

If you have relationships, you live with thoughts of other people, always making their way through your brain. You think of your brother, your child, your friend.

Photo by Duy Pham on Unsplash

“I should call my dad today,” you think. Or, “how can I help or support this person?”

I have all of that. I also have a cast of characters, imagined but real, who inhabit my space. I have the book characters I’m working on right now. I also have those from the next book. These are forefront in my writer’s brain.

But there are also the characters from the the sudden inspiration or nighttime musings. (I try to write them down right away or they can get lost. And that’s a sad, sad thing). I tell myself I will write their story soon, or someday.

Now that I am moving into the mult-genre romance space, it’s getting pretty crowded up there. I have more than 24 historical romances in various stages of planning, from niggling idea, to concept, to basic plotting.

But now I have more than a dozen historical fantasy romance main characters that have moved in.

Contemporary romance? Yes. They too are making an appearance.

I hope, like me, you love romances of all different kind–All clean, all with Happily Ever Afters, but set in different times, and settings, and worlds. Because these people in my mind are clamoring to get out!

And Always Romance

Because Everybody Needs Romance In Their Life

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While writing Book 3 in my Rebel Hearts series, I came to a little road block. I wasn’t really worried. This sometimes happens because I’m a discovery writer. I have to sit with my character for a little bit before I know what she or he would do next.

Only this time, while waiting for the clouds to clear, I got an idea for another little story. So, I started writing. That’s what I do, isn’t it?

Only this time, the story wasn’t set in regency England. It is set in a fantasy world. And the main character is a siren! And while I was writing this little novella, the ideas for a full series blossomed in my mind.

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I made copious notes.

Now, I’m back writing the original work–Book 3 in my regency romance seres. But the time will come when I will write this fantasy series. Later, but I must do it.

This is so outside my usual historical romance. Right?

Except, not really. I realized as I wrote, it’s romance. Each book in the series will be about two people who find each other, who overcome obstacles, who change and grow, and who love. It’s Romance.

Mystery, contemporary, fantasy, suspense. Stories of love and romance can happen any time, in many circumstances, and they can happen in any world.

Do you like to read your romance in one sub-genre exclusively? Or if you find a clean, sweet romance in a different time or place, will you try it?

‘Old-Fashioned’ Romance?’

What does that mean?

I’m not referring to ‘closed door’ here. Though many readers might see that as old-fashioned. But a romance could be a closed door and still not be old-fashioned.

Do you agree?

I looked up old-fashioned in the Dictionary and got this: according to styles or types no longer current or common; not modern.

Other words (not the negative ones, of which there are many) might be:

  • quaint
  • antique
  • out-of-the-way
  • picturesque

Or even better:

  • rare
  • extraordinary
  • whimsical

So, are my romance novels old-fashioned?

If you think it’s old-fashioned for the characters in your historical romances to believe and act consistently, for the most part, with the mores of the period setting, then I’m old-fashioned. (A character may break some rules, but I will acknowledge the societal expectation and show some consequences).

Lydia in Pride and Prejudice is an example. She broke the rules, and though she seems blissfully ignorant, her father and two older sisters are definitely not. There is a price they know they will pay.

In my soon-to-be-released novel, Dear Lord Wycliff, Corinna knows it is improper for her to write to a single, unrelated gentleman. And yes, (spoiler) she faces consequences for her impropriety.

Now, most of my main female characters do chafe at restrictions they face because they are women in the Georgian/Regency era. But I have to believe that there were women in that time who felt the same.

And all of my female characters want a man who will love her and be loyal. They expect it, even demand it. This expectation might not be historically accurate, but I want it, expect it, even demand it. I think it still might be considered old-fashioned by many.

What other Old-Fashioned elements do you think should be in a romance novel?

My Writing Mission, Part 2

Love Is The Key

I wrote last time and tried to capture what I want you to experience as you read my work. And I tried to describe what I want my writing experience to be.

With that in mind, I want you to know these things.

What you’ll find in my stories

Yes to these:

  • Always Romance
  • Delightful, closed-door stories with a Happily Ever Afters
  • Conflict that brings growth in the characters and in the relationships
  • Female characters who are strong or who grow into confidence and capability
  • At the end, a loving, respectful relationship
  • Swoony kisses
  • In a marriage, there may be an acknowledgement (undescribed) of physical intimacy.
  • Perhaps some mild action and violence.
  • Some mention of drinking if it is historically accurate
  • Well-researched detail
  • Literary style
  • PG to very mild PG-13 levels of heat

What you won’t find

No to these:

  • Sex scenes on the page, or acknowledged between unmarried characters
  • Descriptions of erotic touching, arousal, or tongues in kissing
  • Descriptions of nudity
  • Crude humor or commentary
  • Swearing
  • Gratuitous violence

I’m here for all the feels and all the delightful entertainment. I hope you’ll join me.

Humor in Romance

We fall in love, and everything is wonderful. But let’s be honest, the world intrudes. Sometimes things get hard. But we still have that hope that love can endure?

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Photo by Tristan Le on Pexels.com

Or as Shakespeare wrote:

. . . Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no, it is an ever-fixed mark That looks on tempests and is never shaken.

That’s the dream in real life. Even if we don’t get that dream, or get to keep that dream, that’s the ideal, the wish, the hope. And that’s what we want in our romance books, isn’t it? A love we can believe will endure.

In a chest of tools that might build that kind of lasting love, the ability to laugh has to be included. Humor allows us to live with the little idiosyncrasies in our partner. It allows us to weather those tempests of life. It builds common experiences and a common language.

On top of all that, it is healthy to laugh. I won’t list the research, but we must laugh more.

Believing this, I try to include some humorous situations or dialogue in each of my novels and novellas. While I’m writing those parts, I am chuckling, or smirking, or laughing out loud. But humor is such a subjective thing. Every time I write something I think is funny, I ask myself: But will that reader laugh?

So, I’d love to hear what you think is funny. When was the last time you just guffawed, in real life or in response to a book, movie, or show? What situations in your life make you roll your eyes and chuckle? What ironies make you shake your head with a helpless titter? What did someone say that surprised a laugh out of you?

I’d love you to share. You never know, you may find a similar situation, conversation, or experience in one of my romance novels in the future.

My Current (Work In Progress) Regency Romance Novel

Dear Lord Wycliff–an epistolary romance novel

Most regency romances are set during the London season, which everyone assumes is in the spring.

It is true that by the 1820s that became the norm—A King’s or Queen’s speech in late January or early February convened the parliamentary session. This in turn brought all the noble families to London, and they usually stayed until early August.

But in the 1790s, when the Rebel Hearts Series is set, the King’s speech took place in very late in the fall, (in December in 1792), and the session drew to a close in late May or early June, (occasionally July).

In Dear Lord Wycliff, Book Two of the Rebel Hearts Series, Lady Corinna Capener comes at the beginning of November to prepare for the London season, a few weeks before the King’s speech in December.

I assure you, the timing is correct.

In Book One of Rebel Hearts, An Honorable Man, I barely allude to the reign of terror and the French Revolution. It figures more centrally in Book Two since our main male character, Lord Wycliff, is serving in the diplomatic service in Paris, at least until diplomatic relations are cut off and he must leave.

I am challenged more than I anticipated (but in the best possible way) in writing this epistolary novel. But I love this story of Corinna and Daniel. And of Georgiana and Olivier.

This is only an inspiration image I made in AI, not the final cover

Here is a little sneak peek. The first letter. (One thing you must know to begin this story is that is was very improper for a lady to write to a single, unrelated gentleman during regency times):

November 1, 1792 32 Portman Square London

Dear Georgie,

The days of adventure are over. Romance is dead. We were not waylaid by a highwayman on our way to London.

Instead, my brother arranged everything so that we traveled by easy stages and stopped each night at inns along the way. I wish I could have traveled to town as Rupert did, on the back of a horse. Instead, Jaminna and I rode in the carriage and took turns trying to entertain little Henry. Six-year-old boys should never be closed up in a carriage for four days on end. Neither should twenty-year-old ladies.

You know I cannot read while travelling in a carriage without becoming quite ill, so for four days I watched out the window and tried to think of games and stories engaging enough to while away the time. Lacking imagination, I borrowed some of yours.

But Georgie, there is one particularly lonely, atmospheric stretch of road between Highgate and Islington that sparked my imagination.

Picture this. Millions of stars shimmer above us. A low mist eddies over the road. I, the stupendously beautiful and spoiled Lady Corinna Anne Capener, wealthy beyond words, (it is my story after all), am making my way to take London by storm.

But what is this? Just as the full moon rises over the trees on the eastern horizon, a daring thief rides out of the woods, shoots into the air, and bellows, “stand and deliver.”

The carriage pulls to a shuddering stop. The horses buck and blow, mist rising from their backs. The carriage door opens, and a tall, dark man looms over us. His face is lean and chiseled—No wait, the lower portion of his face is hidden by a mask, and his eyes gleam from beneath the shadow of his hat.

I lift my chin and climb down into the terrifying night, bravely shielding my fellow travelers. Just like in the accounts of Claude Duval, that famous 17th century knight of the road, my gentleman highwayman bows over my hand and agrees to accept less plunder if I dance with him on the moonlit roadside.

I felt quite proud of this gripping beginning to my story. Both Henry and Minna were enthralled. Then Rupert rode up beside us to ask after our comfort. He reminded me of more prosaic probabilities, and I laughed. Even if we were stopped by a thief who was dressed in the latest fashion and acted in the most gentlemanly manner, you know my brother would not like to be relieved of fifty guineas and tied to a tree.

And with my luck our highwayman wouldn’t be a nobleman in disguise, forced by his evil, usurping uncle to make his living on the high toby, but only a garden variety crook, determined to take my pearl ring and necklace and the few pence I had in my reticule.

Worse, it is much more likely I would stare mutely, like a dullard, rather than banter and jest with my creation. I hate to disappoint you, but I am not made for adventure, except as it happens in books.

Despite the uncomfortable monotony (and lack of romantic highwaymen), we arrived in London yesterday and settled into Capener Court. Minna says she is eager to take me shopping to update my wardrobe for the coming season. Can you believe it? She is the most generous soul and exceedingly kind to me when any other lady would resent having to chaperon her husband’s younger sister for a second year.

Really, I don’t know how Rupert convinced her to marry him. Not that he isn’t a good brother, but you know how stuffy and conventional he can be. And we won’t even mention how miserly, not that Minna regards that for one moment. She seems to find it an amusing challenge.

I thank you for the note you slipped into my reticule. It was a delightful interlude on the long journey, although I am not concerned that you will languish as you predict. Before the month is out you will find something to entertain you, even in Folkestone. Exciting things always happen around you. To illustrate, I remind you of the infamous ‘mystery of the purloined handkerchief,’ and the questions surrounding ‘who put the toad in the Vicar’s soup bowl?’

I so wish you could have come with me to town this season as we planned. It is inconvenient in the extreme that your uncle chose this precise time to ride into a fence at Chester Racecourse and die. Even three months of mourning seems too long for a man you never knew.

I just read the last and realize how heartless I sound, but I am feeling selfish. If you were here, the season would be bearable. Instead, I am doomed to endure another string of parties and balls where I must pretend interest in men who have no interest in me beyond my portion, and whose conversation is limited to the weather, their horses and carriages, and the hunt. They would never discuss any interesting topics, with a ‘delicate lady.’

On that topic, I ask you, why is a woman who is as tall as many of the men she stands up with considered delicate?

That question is impossible to answer, so I will admit to the more selfish reason I wish you were here. Dearest Georgie, I don’t know how I am to continue my correspondence with Lord Wycliff if you are not here to smuggle my letters out to the post.

I have thought to beg one of the servants to help me, but they are loyal to Rupert and Minna. No sooner than I reveal my need to one of the maids, I fear she will expose me. I don’t like to think of what my brother will do if he ever discovers that I’ve been exchanging letters with an unrelated, unmarried gentleman, even if it is under the guise of his name.

I must stop, I know. I only await Lord Wycliff’s response to the abstract of my article on Maria Theresa, and then I will stop writing to him. I have already tempted fate far longer than is safe.

Pray for me. Or, upon second thought, don’t pray for me. The last time you prayed to be released from attending Lady Marianne’s birthday celebration, we had pouring rain for weeks.

My dearest friend, Minna is at my door. We are to go to Bond Street this morning to replace my torn pelisse. I hope my letter finds you well, and that you’ll write soon and report all the news. I know you well enough to believe you will have at least one exciting tale.

Ever your affectionate friend,

Corinna

***Of course, when Corinna says she is not made for adventure, you just know that she will not be able to avoid it!

Would you like to read the next letter, this one from Georgie? Sometimes I feel she is going to ‘steal the show’ she is so engaging.

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